Fly or Die - Tertnes Brass - bouncylandapp.com

Fly or Die – Tertnes Brass

Tertnes Brass
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Like: 764
Performance from Siddis Brass 2018
Winner of Soloist Price Elite Division
Piece: Fly or Die (Gilles Rocha)
Conductor: Frode Rydland
Soloist: Camilla Søderstrøm Tveit

This video is shared with permission from Siddis Brass.

24 Comments

  1. Supercalifragelisticexpialidosis! In other words; that was fantastic!! What tongueing..😮

  2. タンギングが上手すぎる!日本から応援しています

  3. That’s how it should be, music is expressive , and when she plays it is expressive too. SHE ENJOYS WHAT SHE DOES ! YO DISFRUTE ESTE BANQUETE !

  4. clap clap clap clap!!!!!!!!!!!! 😭😭😭Bonjour, ce morceau me rend fou!!!! et cette version est pfffffff!!!! magnifique, la question se pose, en tant que jeune tromboniste (j'ai 48 ans!) je n'ai que deux mois de pratique alors combien de siècles me faudra-t- il pour jouer à peu près correctement? 😭❣❣❣ bravo messieurs et surtout madame!!! clap clap clap…..!

  5. 👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽👏🏽

  6. Not sure if this works with Brass Band or perhaps such a big band. That's a he'll of a blow for Bass trombone and they seem to be over powering. She does a fantastic job, fare play.

  7. She’s amazing. I wish they mic’d her up tho, seems like when the rest of the band was playing with her it was a bit hard to hear her

  8. Is the conductor using a pencil for a baton? The Trombone soloist is incredible!

  9. What!!? Camilla is amazing! Is that triple tonguing or quadruple

  10. Sweetness, there's a whole arrangement for that Bass bone solo? Woot! The drum makes it sound slower 🙁 But holy hell the solo!!!!!!!!!!

  11. at last, a sane tempo for this piece. Wonderful performance!

  12. Her playing was great, but this piece isn’t suited for a full ensemble slowed down. It loses its bite and a lot of the fast pace jazzy stuff. It’s like slowing down blue bells. It just wouldn’t sound right for the ensemble to slow it down. Again, her playing was great, but composers have a reason for the tempos they set. The tempo for this solo gives it its flare and characteristics for the ensemble setting… also I feel like the recording didn’t do her justice. I couldn’t always hear her over the ensemble. I know the ensemble wasn’t playing over her. So either it’s her needing to play out more or recording/balancing issues. It’s most likely the second one.

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